![]() Working for Caricature would earn Daumier his first spurs: a six-month prison sentence for a lithograph entitled Gargantua (published 1831). At the Maison Aubert in 1830, Philipon launched the satirical journal Caricature, which stands as a monument of literary and artistic dissent. He went on to work for the publisher Zéphirin Bélliard and then for Achille Ricourt, until he finally made a modest journalistic debut, collaborating on the Silhouette (1829).įrom there he took his first steps under the guidance of Charles Philipon, a formidable polemicist and brother-in-law of the publisher Gabriel Aubert. There he drew alphabets, ornaments for the covers of romances, and so on. Despite this, he managed to get a job under a lithographer named Ratelet. The first trial, however, proved inconclusive, probably because conventional tutoring was ill-suited to the student’s temperament. His parents turned a deaf ear until Alexandre Lenoir, who created the Musée des Monuments Français and was an acquaintance of Daumier’s father, encouraged him to let his son follow his bent. ![]() ![]() ![]() He was attracted to the Louvre and wanted to draw. ![]() From bailiff’s errand boy, young Honoré graduated without enthusiasm to bookshop assistant. Honoré Daumier was born to a modest Marseilles family who moved to Paris when Daumier was still a child. ![]()
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